Postcards from Calcutta in the late 19th and early 20th century are widely regarded as belonging to the golden age of postcards. They were dominated by photographs taken by companies like Johnston and Hoffman, prints by Thacker, Spink & Co., or oleographs by Raphael Tuck and Sons – which were also based on photographs. Take for example this series of six postcards of Calcutta. The pastel shades and dramatic skies mark significant deviations from the standard images of the city that were in circulation. The artist may or may not have used photographs as reference, but unlike most photographs that depict churches, public buildings or trams, these drawings recall a city that is bustling with people. Indians and Europeans seem to share space on his vibrant canvases without indication of social hierarchy. But who is this Frank Clinger Scallan whose name appears in each one of these paintings.